Left, photograph by Mustafa Sabbagh. Via. And more via his Tumblr. Right, photograph by Nobuyoshi Araki. Via.
More TV screens.
See also, Mustafa Sabbagh x Leonora Carrington.
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Sous ce masque un autre masque. Je n’en finirai pas de soulever tous ces visages.
Claude Cahun. Via.
Just Friends (Nicolas Jaar & Sasha Spielberg), Avalanche, 2012.
This track appeared on the uneven but at times pretty fabulous (like this excerpt where Angelo Badalamenti talks about Twin Peaks) BBC Radio 1 Essential Mix from last week. From the forthcoming album but not really The Prism, 2012. Via.
Andrew Berardini, Los Angeles Plays Itself, for Art Forum, May 2012.
Left, photograph by Brea Souders, Mille-Fleurs, from the series Counterforms. Via. Bottom, photograph by Nico Krijno, Honey, 2012. Via.
Left, photograph by Kodachrome, by published by Punto e Virgola, 1978. Via. More spreads here.
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In Arab popular traditions, there’s a belief that if a manuscript were to be submerged in water and its ink were to dissolve, drinking the water would transform the knowledge contained in that manuscript into the body of the drinker and become part of the body’s system.
Anton Shammas, The Drowned Library. Via.
Music video for Namosh, Cold Cream, 2005, directed by Daniel Steiner & Nic Romm.
Summer now.
Me, shot by Ferdinand inside one of Thomas Zipp’s chambers, currently on view at at Galerie Guido W. Baudach until June 7th.
See also, photo booth self portrait au zenit, 2010.
Top, photograph by Carrie Schneider, Burning House (October, afternoon), from the series Burning House, 2011, C-print, 40 x 50 inches. Via. Over the course of 2 years, Schneider built 15 small houses, burning them on an island in a Wisconsin lake in different seasons and at different times of day. Bottom, screen capture from Passion, 1982, directed by Jean-Luc Godard. Via.
See also, Andrei Tarkovsky, The Sacrifice, 1986 x Rei Nadal for SHOWstudio.
I woke up from a dream where I was driving through houses on fire, here in Berlin. See also, Ghosts (After the Fire 1), and Ghosts (After the Fire 2).
“She had considered, station to station, what they might leave in the car.”
Collaboration with Melissa Gira Grant for Abe’s Penny, Card 2/4. See large.
Trentemøller, Blue Hotel (Feat. Marie Fisker/Steen Jorgensen), 2011. Written by Chris Isaak, 1986.
Photograph by Brea Souders, Untitled #7 - dream fragment, Marquis de Sade, from the series Islands & Streams.
See also, Kim Novak VS Catherine Deneuve.
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“How do you have the nerve to write some of the things you do?” I asked him. “Oh, it’s easy. I just pretend that I’m already dead.”
Michel Houellebecq, interviewed by Susannah Hunnewell for The Paris Review, 2010.
Top, screen capture from Vertigo, 1958, directed by Alfred Hitchcock. Bottom, screen capture from Belle de Jour, 1967, directed by Luis Buñuel. Via.
Kim Novak VS Catherine Deneuve.
Jennifer Krasinski, At the End of Tipton Way: On the More Love Hours Memorial to Mike Kelley, for East of Borno, May 2012.
See also, Mike, Louise and Honoré, Highland Park, February 2012.
