Fette, Don’t Shoot The Messengers presentation at Le Chat Gris, Berlin. In collaboration with Tissue Magazine, July 2012.
Maker of photographs. Explicit and unrepentant critic. Serendipity observer. Atheist. I live and work in Berlin, and in Los Angeles.
You may follow my endeavor on Twitter, on Vimeo, and on Instagram.
This is a little bit of why I am still looking.
Ask me anything
This is a little bit of why I am still looking.
Ask me anything
July 5, 2012
June 17, 2012
Fette, Tasha, Sing Blackbird x gaffe photo-booth (4), Berlin, June 2012.
June 17, 2012
Fette, Sing Blackbird x gaffe photo-booth (3), Berlin, June 2012.
June 17, 2012
Fette, Fedor, Sing Blackbird x gaffe photo-booth (2), Berlin, June 2012.
June 17, 2012
Fette, Sing Blackbird x gaffe photo-booth (1), Berlin, June 2012.
Last weekend, I put together this impromptu photo-studio inside the lovely Sing Blackbird, a store in Neukölln which sells vintage clothing and brews darling coffee. They had invited Dusseldorf based Sartorial extraordinaire Fedor Bock of gaffe for a special menswear pop-up shop, so I brought the Zenit.
June 14, 2012
June 8, 2012
Fette, Le Marin et la Vénus, Berlin, June 2012. See also, Berlin 5:10 am.
The rest of the series can be seen on FindingBerlin.
May 29, 2012
Collaboration with Melissa Gira Grant for Abe’s Penny, Card 3/4.
May 29, 2012
Collaboration with Melissa Gira Grant for Abe’s Penny, 2012.
May 18, 2012
“She had considered, station to station, what they might leave in the car.”
Collaboration with Melissa Gira Grant for Abe’s Penny, Card 2/4. See large.
May 11, 2012
May 7, 2012
Fette, Paul Mpagi Sepuya, Brooklyn, 2011. More.
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It’s always interesting to see how other people take an image of me. There’s a great amount of control that balances out some of the vulnerability in self-portraiture. It’s nice to be directed by someone else.
May 7, 2012
Fette, Paul Mpagi Sepuya, Brooklyn, 2011.
I shot the wonderful Paul for a feature on Freunde von Freunden and he graciously obliged.
I first came across Paul’s work through this series of zines entitled SHOOT which he made between 2005 and 2008. In 2006, I attended the LACE 27th Annual Benefit Art Auction where I was able to bid on this photograph Alex, 2005, which I then brought home. His work has gained such amplitude and force, it makes me happy.
Thank you for letting me roam your sweet home Paul, and thank you Timothy Hull for such a great interview.
